Ident. | Authors (with country if any) | Title |
---|
000135 |
David Pinto [Royaume-Uni] | The Viola da Gamba Society Index of Manuscripts Containing Consort Music, Vol. 2. Compiled by Andrew Ashbee, Robert Thompson, and Jonathan Wainwright. |
000177 |
David Charlton [Royaume-Uni] | Rousseau and Favart at Fontainebleau, Pergolesi at Versailles |
000637 |
Roger Mettam [Royaume-Uni] | Les Valets de Chambre de Louis XIV |
000638 |
Andrew Calder [Royaume-Uni] | La Fontaine à l'École républicaine: du poète universel au classique scolaire |
000688 |
Arnold Whittall [Royaume-Uni] | Review: Wagner's Meistersinger: Performance, History, Representation |
000723 |
John L. Flood [Royaume-Uni] | Helen Watanabe-O'kelly. Court Culture in Dresden: From Renaissance to Baroque. New York: Palgrave. 2002. Pp. xv, 310. $39.95 |
000789 |
David Bradby [Royaume-Uni] | Langhoff. Edited by Odette Aslan. Paris: CNRS Editions, 2000. Pp. 414 + illus. FF320 Pb. La scène et les images. Edited by Béatrice Picon-Vallin. Paris: CNRS Editions, 2001. Pp.404 + illus. FF295 Pb. |
000892 |
Jean-Marc Dewaele [Royaume-Uni] | Wilmet, Marc, Le Participe passé autrement. Paris – Bruxelles: Département Duculot – De Boeck & Larcier, 1999, 122 pp. 2 8011 1256 9 |
000929 |
Jean-Marc Dewaele [Royaume-Uni] | Lapkin, Sharon (éd.), French Second Language Education in Canada: empirical studies. Toronto & Buffalo: University of Toronto Press, 1998, xxx + 350 pp. 0 8020 4333 X |
000988 |
Robert Lethbridge [Royaume-Uni] | REVIEWS |
000A27 |
Marie-Claude Canova-Green [Royaume-Uni] | REVIEWS |
000A65 |
Trevor Turner [Royaume-Uni] | The wing of madness: The life and work of R. D. Laing |
000B34 |
Armand D'Angour [Royaume-Uni] | How the dithyramb got its shape |
000B37 |
Malcolm Bowie ; John O'Brien [Royaume-Uni] | FRENCH STUDIES AFTER FIFTY YEARS |
000B45 |
Peter Holman [Royaume-Uni] | Walls, Music in the English Courtly Masque 1604–1640 |
000B80 |
Angela M. Heap [Royaume-Uni] | NOTICES OF BOOKS |
000C21 |
Peter Dunwoodie [Royaume-Uni] | REVIEWS |
000C61 |
Vera Gottlieb [Royaume-Uni] | Reviews |
000F30 |
Barry Coward [Royaume-Uni] | VII The Seventeenth Century (i) British History 1603–1714 |
001033 |
Curtis Price [Royaume-Uni] | Harris, Henry Purcell's Dido and Aeneas |
001046 |
Anthony Gable [Royaume-Uni] | REVIEWS |
001053 |
Basil D. Tschaikov [Royaume-Uni] | Preparation for the Orchestral Profession: Which Kind of Symphony Orchestra Will We Have in 2000? |
001108 |
Tim Carter (musicologue) [Royaume-Uni] | RECORDINGS |
001196 |
C. H. L. Bodenham [Royaume-Uni] | RIMBAUD'S POÉTIQUE SENSATIONNISTE' AND SOME NINETEENTH–CENTURY MEDICAL WRITING |
001229 |
Arnold Whittall [Royaume-Uni] | REVIEWS OF BOOKS |
001243 |
Tim Carter (musicologue) [Royaume-Uni] | Books |
001487 |
Donald Adamson [Royaume-Uni] | REVIEWS |
001667 |
Michael Oakeshott [Royaume-Uni] | Education: The Engagement and its Frustration |
001839 |
L. W. Tancock [Royaume-Uni] | REVIEWS |
001920 |
Eileen E. Pryme [Royaume-Uni] | ZOLA'S PLAYS IN ENGLAND, 1870–1900 |
001940 |
Norman Newton [Royaume-Uni] | Yeats as Dramatist: The Player Queen |
001A10 |
H. J. Hunt [Royaume-Uni] | REVIEWS |
001A24 |
C. D. King [Royaume-Uni] | ÉDOUARD DUJARDIN, INNER MONOLOGUE AND THE STREAM OF CONSCIOUSNESS |
001A25 |
H. J. Hunt [Royaume-Uni] | REVIEWS |
001A44 |
H. J. Hunt [Royaume-Uni] | A CONTEMPORARY DRAMATIST: MARCELLE MAURETTE |
001B10 |
G. Dickinson [Royaume-Uni] | REVIEWS |